Posted by Amelia Whitehart on March 15, 2022 in Software
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Separate your shadows and GI/AO layers within the compositor to adjust their colours: By default in Blender, shadows and GI are black. This doesn’t always give the best result. If you look at Pixar’s work, for example, the shadow is usually a darker, more saturated version of the diffuse colour. You can achieve this effect in the compositor by specifying your layer to output a separate GI and shadow pass. Use the Mix node set to multiply your shadow/GI with a colour of choice, them Mix that back into your render pass for best effect. We sometimes render a scene (Scene01) with no GI or shadows at all, and an identical copy of that same scene (Scene02) to get just the GI and shadows layers by themselves. Use the compositor back in Scene01 to composite those layers from Scene02, using the colour picker inside the Mix node set to Multiply or Add to achieve the shadow colour we need.
If you have lots of objects in your scene it is important to keep them organized and name everything accordingly. This is a really boring task, especially if you have lots of object names that need to be changed. In this situation the batch rename feature comes in as a real lifesaver. Press Ctrl + F2 to open it up. Then use the find and replace fields to rename a specific word in multiple objects at once. This tool has quite a few more features for renaming and organizing. I explain all of them thoroughly in a recent tutorial. Are you thinking about upgrading hardware to speed up rendering? If so, you should definitely visit opendata.blender.org. This is an official page by the Blender Foundation, designed to compare the performance of different graphic cards and CPUs for rendering. You can even do your own benchmark renders and compare your current setup to the performance of other GPU’s and processors on the market.
Never try to attack the entire model at once—instead, give each task your undivided attention. The more effort and focus that goes into every piece of the puzzle, the better everything’s going to end up. It’s next to impossible to master hard surface modeling without studying hard surfaces in their many forms—namely, in real life, as well as from photos and things that you read online. This includes not only using reference images but taking the time to make meaningful observations about stuff that you run into, even if it’s just something like the peeling yellow paint on an old steel banister. Structural details, mechanical details, and aesthetic design choices can all be fascinating to learn more about, and everything that you take in will inform your work greatly.
The Client machine automatically receives the rendered frames from network renders: Start by switching the render engine from Blender Render to Network Render. On your master node, choose Master from the Network Settings panel of Render Properties. When you click Start Service, you can view the status of the farm by opening a web browser on that machine and pointing it to http://localhost:8000. With the master node running, go to the other machines and set them up as slaves. It’s the same steps as for the master node: just choose Slave from Network Settings instead of Master. Assuming the machines are on the same network, when you click Start Service, the slave node should automatically find the master. Discover additional details at 3darts.org.